英国戏剧教育大师 Chris Cooper 来中国了！——“手提箱”儿童教育戏剧工作坊

戏剧教育人与家长不容错过的观摩机会！ 

内容：

 工作坊系列之二——儿童戏剧教育交流工作坊 《手提箱的故事》

Workshop 2 Suitcase

——克里斯 库佩 Chris Cooper

时间：2010年12月27日 14:00-16：30 （周六）

Time: 14:00-16:30 27th of Nov 2010

地点：尤伦斯当代艺术中心 798艺术区

Place： UCCA at 798 Art Zone

语言：英语（配有翻译）

Language：English &Chinese  

票务 本课程只对孩子开放（50元/人） 但是欢迎爸爸妈妈和大孩子们围观 需预约8459-9269或frontdesk@ucca.org.cn UCCA个人/双人会员享受5折优惠；家庭/白金会员免费

活动介绍：

“每个手提箱都有它的故事，对于这个孩子来说，箱子里装着有关于他生活的故事，但是他却不知道怎么去讲述···”

工作坊将展现“教育戏剧”这种现代教学方法，是如何让参与者完全进入到这个小男孩的世界里的。工作坊将提供一个能够发展“提问”、“交流”、“沟通”和“倾听”能力的机会。工作坊将会创建一个空间，在里面孩子要使用想象力去探索在这个世界中的“陌生”和“熟悉”。总之，这是给孩子的一个邀请，让他们检验和建立自己的价值。工作坊之后设有与家长交流的环节。

‘Every Suitcase tells a story. For this child it holds the most important story of his life, but he doesn’t know how to tell it….’

This workshop will demonstrate a contemporary approach to drama in education which will invite the participants into a young boy’s world. An opportunity to develop skills of enquiry and communication, speaking and listening, the workshop will create the space for the children to use the imagination to explore how it feels to be ‘foreign’ and what it means to be at home in the world. Above all, it will be an invitation for the children to test and make their own values. The workshop will be followed by a question and answer session. 

克里斯 库佩 （Chris Cooper）

1986年从纽卡斯尔的诺桑比亚大学毕业后，获得荣誉文学学士的克里斯在1988年成为了兰开斯特杜克教育剧场剧团的一名演员/教师。从此之后他一直在杜克工作直到1995年剧团被当地政府关闭。在此期间，他在超过20部教育剧场的项目中出现，并且成为国家教育剧场协会的活跃分子，青少年戏剧常务会议的理事和秘书长。从1990到1998年他成为协会杂志（SCYPT Journal——一份关于教育戏剧和教育剧场的理论与实践的杂志）的编辑。

1996年克里斯成立了伊斯科拉剧团，上演了他的第一部剧作《那些血》。之后他和“大伯明翰”教育剧场以及在威尔士的波厄斯剧团持续性的合作，直到1999年他成为了“大伯明翰”教育剧场的艺术总监。

从那时起，克里斯已经导演了28部教育剧场项目，超过10几部给3到21岁的孩子开发的特殊项目，并且在英国及全世界巡回拓展为孩子和成年人的社区项目。从1995年起，“大伯明翰”剧团和英国在世的最伟大的剧作家爱德华.邦德（Edward Bond 1934-）长期合作。邦德在全世界60个不同国家中上演的47个剧目中，有7部都是和“大伯明翰”合作的。克里斯在其中6部剧目中或出演或导演，并且在法国和匈牙利和邦德有过紧密的合作。在2005年有大卫.戴维斯(David Davis)编辑的书《爱德华邦德与戏剧儿童》（Edward Bond and the Dramatic Child）中写作了主要章节，讲述他与邦德的合作。

除了为“大伯明翰”担任艺术总监，2008年期，克里斯创建了偶然剧团。他至今出版了18部剧作，他在17个不同国家中从事过导演，戏剧培训师，教师，讲师等等不同职业。08年到10年间，他主持了DICE项目在英国的部分。项目主要是针对戏剧的教育含义以及戏剧给孩子带来的社会技巧和素质的影响，他是项目的两本出版物的编辑。

2009年，李婴宁邀请克里斯到上海戏剧学院讲学，并且随后与抓马宝贝结实，作为抓马宝贝的顾问和教师，他感到非常自豪。

Chris studied Creative and Performing Arts at the University of Northumbria, Newcastle, graduating with a BA Hons in 1986. He became a freelance actor and joined the Dukes Theatre-in-Education Company, Lancaster, as an actor-teacher in 1988.

He worked at the Dukes from 1988 until 1995 when it closed by the local authority. During his time at the Dukes time Chris performed in over 20 new TIE programmes, was an active member of the TIE national association, the Standing Conference of Young Peoples Theatre (SCYPT) as a national committee member, Chair and National Secretary. From 1990 to 1998 he was also on the editorial committee of the SCYPT Journal, a journal of theory and practice in the fields of TIE and DIE.

In 1996 Chris set up Theatre Iskra, writing and directing his first play La Sangre. He continued to work as a freelance actor-teacher and playwright with both Big Brum TIE and Theatr Powys in Wales until 1999 when he became the Artistic Director of Big Brum.

Since then Chris has directed 28 new TIE Programmes and dozens of special projects for young people aged 3 to 21 years old for the company as well as community projects for children and adults that have toured the west midlands, nationally and internationally.

Since 1995 Big Brum has been working in collaboration with Britain’s greatest living playwright Edward Bond. Bond who has written 47 plays that have eben performed in over 60 different countries has written 7 new plays for the Company. Chris has either performed in or directed 6 of them and has developed a close working relationship with him including working abroad with Bond in France and Hungary. In 2005 Chris contributed a major chapter on Bond’s Big Brum plays in a new book edited by David Davis, Edward Bond and the Dramatic Child.

In 2008 Chris has set up his own new Company Accident Time while continuing part time as artistic Director of Big Brum.

He has been a free lance director, teacher trainer, teacher, lecturer, author of various articles and publications and 18 plays. He has worked in 17 different countries. Between 2008-2010 Chris was UK project leader of the DICE Project which researched the impact of dramatic activities on children’s educational and social competencies; editing a book, Making the World of Difference, and contributing to another on the research findings, The DICE has been Cast.

In 2009 Chris was honoured to be invited to visit China by Madam Yingning to teach at the Shanghai Theatre Academy. It was then that he was first introduced to Wei Wang and Drama Rainbow. He is proud to working as a drama consultant and teacher at Drama Rainbow.  

抓马宝贝教育剧场论坛 第一辑

Drama Rainbow DIE/TIE Forum Vol.1

缘起

“抓马宝贝”Drama rainbow 学校作为国内领先的儿童戏剧教学机构，不仅关注自身教学质量与发展，同时致力于推进中国儿童教育戏剧整体行业发展。整合国内外优秀的教学资源，携手北京尤伦斯当代艺术中心（UCCA）、北京东城图书馆、奇遇花园咖啡馆、北师大教育心理与学校咨询研究所和学生指导室，等文化场馆，我们举办了抓马宝贝教育剧场论坛 第一辑。论坛时间从2010年10月31日持续到2010年12月28日，为期两个月时间。

论坛邀请到了Chris Cooper（英国）、 Konstantinos Amoiropoulos（希腊）、Siv Ødemotland、Katrine （挪威）这样来自欧洲的顶尖戏剧教育大师和拥有多年教学经验的专家。同时我们还邀请到了像李婴宁（上海）、蔡景坤（北京）这样的国内的戏剧与儿童教育界的专业人士。

抓马宝贝教育剧场论坛 第一辑，共设国外专家交流讲座3场、工作坊3场、国内专家交流讲座2场。在东城、西城、朝阳、海淀4个区域交叉进行。活动的举办希望透过中西方儿童戏剧教育理念和方法的碰撞，衍生人们对于戏剧教育在儿童成长阶段的重要性的讨论以及戏剧教育教学方法的思考。响应《国家中长期教育改革和发展规划纲要（2010-2020年）》中关于“遵循幼儿身心发展规律，坚持科学保教方法，保障幼儿快乐健康成长。积极发展学前教育”的指导思路，将中西方儿童戏剧教育的先进教学经验，融入中国教育改革实践。同时为中国儿童戏剧教育发展贡献力量。

Origin

As the leading domestic DIE institutions, Drama rainbow not only focus on its own teaching quality and development but also devotes to promote the whole industry development of kid’s DIE in China. By integrating outstanding teaching resources both at home and abroad, we initiate Drama rainbow DIE/TIE forum volume 1 together with Beijing Ullens Center for Contemporary Art (UCCA), Beijing DongCheng District Library, Story Garden café house, Institute of Education psychology and school counseling, faculty of education. Beijing Normal University. Student Assistance service of Beijing Normal University and many other cultural venues. From 2010-10-31 to 2010-12-28, the forum will last for two months.

The forum invite top drama masters and experienced experts from Europe as Chris Cooper (UK), Konstantinos Amoiropoulos (Greece), Siv Ødemotland, Katrine Heggstad (Norway) . We also invite domestic drama and kids education experts as LiYingNing (Shanghai) and Dr. CaiJingKun (Beijing).

During this two months, we will have 3 exchange lectures from abroad experts, 2 workshops as well as 2 exchange lectures from domestic experts. It will undertake in four areas including DongCheng, XiCheng, ChaoYang and Haidian. By collision of Chinese and Western kids DIE concepts and methods, we aim to pay more attention on the thoughts of the importance of DIE for kids in the growth stage as well as DIE teaching methods. By way of following leading ideas “follow the rules of kids’ physical and mental development, stick to scientific teaching methods, ensure kids grow up happily, Promote the development of preschool education National education reform and development of long-term planning programs ,we wish that Chinese and western advanced teaching experience blend in practice of Chinese education reform . At the same time, we wish it contributes to the development of DIE in China. 

Drama Rainbow 抓马宝贝学校

Drama Rainbow 是一所为3到8岁儿童进行教育戏剧（Drama in Education，简称DIE）活动的学校。学校拥有4间主题教室；4名戏剧老师，2名声乐老师，2名舞蹈老师及2名语言表达老师为孩子们提供了高质量教学。

Drama Rainbow致力于用戏剧带给孩子们叙述化的思考，让孩子们在故事中理解，了解和发展自己的知识体系。我们培养孩子们独立思考意识，并且让他们对外部世界和内心世界都充满敏感而可知的信心。我们希望通过文化与戏剧让孩子对家庭，社会关系，人类和自然世界的认知不断提高。最终让他们习惯用自己的方式思考，并且永远让原创作为他们的思维习惯。

Drama Rainbow认为孩子并不能简单的被理解为未发展的成年人，他作为一个人拥有自己特殊的经验。我们希望运用戏剧让他们发现自己的价值。

Drama Rainbow uses Drama in Education (DIE) as their teaching principle for kids from 3 yr-8yr. The school has 4 theme classrooms, four drama teachers, two vocal teachers, two dance teachers and two speech teachers provide high quality teaching materials.

Drama Rainbow is dedicated to create a narrative thinking, in which kids discover, understand and develop their knowledge system through stories. It seeks to cultivate in its students not only an independent way of thinking, but also a disciplined sensibility and confidence to both inside and outside world. The aim is to use culture and drama to make kids learn and understand about family, social relationships and the wider human and natural world. And finally, they could have a mind of their own which leads the growth of creativity.

Drama Rainbow proceed from the premise that children are not undeveloped adults but human beings in their own rights with specific experiences that go to the heart of being human. We aim to use drama as a tool for young people to make meaning of their lives and the world around them. 

论坛其他讲座活动链接：

·Chris cooper 《戏剧的必要》 http://www.douban.com/event/12956758/

· Chris cooper 《如何让戏剧参与提高欧盟的教育标准》 http://www.douban.com/event/12953392/

·《教育戏剧：是方法还是学科？》康斯坦蒂诺 http://www.douban.com/event/12957029/